What is most important when it comes to assetizing art? The people asking this question are most likely beginners.

What is most important for artworks to become assets? This question is unprofessional. The real question should be how artworks can become financial products through assetization! Artworks are named for their artistic value, but their status as assets cannot be achieved by art alone. Moreover, assetization is not limited to high-level art; as long as the creator’s identity is established, and supported by a financially strong company or individual, the work can become an asset regardless of its artistic quality. Therefore, the assetization of artworks is driven by hype, manipulation, and operation! Essentially, as long as the creator’s identity is promoted to the extreme during hype, and there is sufficient and ample funding, most works—if not completely subpar—can be turned into assets!

Shade Hui’s Works

When it comes to the assetization of artworks, “those in the know see the doorway, those not in the know just watch the fun”! Most people involved in art assetization haven’t deeply studied why artworks can serve as assets; they just hear others say that artworks have this function. Assetization is roughly equivalent to collection, with the main goal being preservation and appreciation of value, though the two are quite similar. Nowadays, art collection is no longer exclusive to the elite or powerful; it has become accessible to the general public. Participation driven by personal preference, passion, and social status adds an investment aspect. Therefore, the asset nature of artworks is also considered a criterion in the collection field. Those who excel in the collection industry mainly incorporate asset criteria into their selection process. The groups that treat artworks as assets are often those who approach collecting with an investment mindset and are successful in their choices.

Shade Hui’s Works

Looking back at cases of collection and assetization, you’ll notice that both successful and unsuccessful individuals share common traits. Successful ones see through the essence; whether they collect artworks or treat them as assets, their selection methods are the same. Failures, on the other hand, are often dissatisfied and wavering. It can be said that those who enter with a half-understanding, believing they know how to select collectibles and asset allocation items, are the ones asking, “What is most important for artworks to become assets?”—people who clearly lack knowledge of collecting and asset selection!

Shade Hui’s Works

Shade Hui’s Works

Shade Hui’s Works

Shade Hui’s Works